Timothy Chalamet wants that Oscar

While we may not have been treated to a arousing rap from Lil Timmy TimTwo-Times Academy Award Nominee Timothée Chalamet had to highlight his passion for Bob Dylan even further in an “Saturday Night Live“Section that saw him draw double duty as host and musical guest. Between sketches at the centerpiece and the rear half of the show, the chalalam was backed up by singers/songwriters and record producer James Blake as he sang reproducing Dylan Deep Cuts “Outlaw Blues”, “Three Angels” and “Tomorrow is a long time.”

Before he picked up his guitar and took on his ulcer, the show began with a cold open that contained everyone’s favorite (type) musical theater Impresario, Lin-Manuel Miranda. Poking fun on the type of resistance that liberal Miranda’s “Hamilton” supports, a sketch that begins as an arousing recreation of the signing of the Declaration of Independence will soon turn into a forum for Donald Trump (James Austin Johnson) to spray nonsense and show off. Four years to Trump in the office can be a tough pill to swallow, but at least Johnson’s imitation will keep us entertained during that time … if he continues to be allowed, of course …

Embrace the fact that this section of ‘SNL 50“Was mainly kick-off to the last part of his Oscar campaign, the Charam used its monologue to celebrate Eight nominations Received by his Dylan Biopic “A Complete Unknown”, including in the best image categories, best director, best actor and best supportive actress. In this way he also took some time to make fun of the fact that he has not really managed to win any prizes yet even though he was nominated many times by different voice bodies, even offering an acceptance number that the audience finally does not ” it Don’t stop hearing.

Based on current prognostications, the chalalam’s main competition at Oscars Adrien Brody for his performance in “The Brutalist”, but after it was revealed last week it was revealed Post production used AI to adjust Brodys accent for a scene in the movieHis chances were put in any danger (as meaningless and stupid as the backlash about this has been). Given this, it was difficult not to see the AI ​​sketch from the Chalamet’s “SNL 50” set as a subtle excavation on its competitor. But even outside that conflict, with this sketch, “SNL” became one of the few platforms that actually pressed against the technical-industrial complex and spit AI for the stupid fashion as it is.

The last sketch at night has become a stop for some of the “SNL’s” most outside or flat out dirty materials (see Charli XCX’s Shrek Sketch) And with the chalam in the driver’s seat they really did not. Co -written by Sarah Sherman and centered by her hilarious performance, “Grandma’s birthday” begins as a healthy collection of family and friends, but quickly turns into an outrageous show of modern medical science. The Chalalam’s, as well as everyone else’s ability to stay cool when exposed to a new form of CPR may contain some of the most fun reaction shoots of all sketches in the latest memory and dialogue that either makes you sick or cackle in disgust.

The musical performances of the Chalamen can be seen below.