Gotham expands.
HBO Max’s “The Penguin” served as an extension of “The Batman”, Matt Reeves’ 2022 movie where Robert Pattinson donates Cape and Cowl as a young, especially brutal version of Dark Knight. In the series created by Lauren Lefanc, Colin Farrell recalls his role from Reeve’s film as the title villain, a dissatisfied Kingpin named Oswald Cobb who works through Gotham’s weak criminal bottom.
“Penguin” Earned 24 nominations with limited series Emmy, including three actors: main actor for Farrell; Lead actress for Cristin Milioti, who plays Crime Scion Sofia Falcone; And supporting actress for Deirdre O’Connell as Oz’s injured mother, Francis. All three are new to the Emmy race.
How do you feel like the first nominees?
Deirdre O’Connell: Happy. It’s one of those things there, if you really, really love to do something, you think it is enough. I felt so happy to make it all this is just maraschino cherries and ice formation and chocolate sauce on the cake.
Colin Farrell: Maraschino cherries. It makes me think of “some like it’s hot.” Do you remember the little party they had on the train car? There is glaze on the cake. The cake was more than enough. I mean, we had such an explosion to do this. It was a joy, but it was an adventure, and it was such a collective experience. We shot for three months. Then the strikes occurred, so it was six months we were laid -off, and then we came back for three months. It was probably the biggest victory in the whole experience. Coming back after such a long termination for everyone involved was such a big profit. But all this is really, really wonderful. The fact that the show was received by the public in the way it seems to have been is such a reward.
Cristin Milioti: I’m fine. And I’m also so proud of our show. Honestly, to get so many nominations and see all our departments honored that way, it is incredible.
And it is not a predetermined conclusion that a show will receive actions nominations.
CF: Brother, it is not a predetermined conclusion that it will be (appealing) for someone.
DO: Yes, it was just our adventure. We must have it and we were very happy with it.
CF: That’s it. You leave everything in the ring. And you know that there are so many factors that need to meet, the most important is probably the editing. The scripts were fantastic, the actor was extraordinary, the experience was a dream. But then there are so many factors that have to coagulate, meet to get something to work, and then the audience, in the end they are always your biggest critics. It is nice to get favorable answers from critics. But you don’t for these people; You do it for an audience. Especially with something similar, which is a genre and already has such a history and level of awareness from people, including me. I grew up and watched (recurrence of) “Batman” From ’66 and I had Tim Burton’s two films and then Christopher Nolan. I have my own relationship with Gotham. So you know that the people will put their eyes on us, which is both fucking nervous and exciting. Because it would have worked? It’s just extraordinary.
CM: It’s miraculous. Lauren, I can’t sing her praise enough. All our directors – it was just such an amazing group that really believed in this show and gave everything.
What surprised you about the show?
CF: Usually my presence destroys in something the whole thing for me. I get squirmy and squirrelly and self -critical for nThat degree, but I had a little more objectivity with this, because I’m so hidden. It all felt really personal, because it is a really big story – which, it is a huge story, it is a huge world, but among the huge everything and the extent of everything, it feels like a very, very personal thing from each character’s backstory and all the emotional contacts that each of us has. Everything is based on the personal, in emotion. Although it is, or can be classified as a genre, it felt like a very personal story about very injured people and how they connect.
CM: So much of it – and this is really rare – when I looked at it I was like, oh, that’s how it felt to do it. That it in some way preserved the feeling of doing so. Sometimes things will feel really fantastic and locked up, and then you look at a final cut and it will be done differently and cut differently and everything is different. It is confusing because you are, yes, it wasn’t so it felt that day. That day was so special. This felt very true for the experience of being there. It was very special.
DO: The show had this combination of this operational, stylized, rich vibe and this transition to hyperrealism. I was expecting it to stay operates, and it was so good for me. I really didn’t see (realism) come.
Colin, you will be back in “The Batman: Part IIThe“ And Cristin, at the end of “The Penguin”, Sofia receives a letter from her sister, which we know is Catwoman (played by Zoë Kravitz). What can you say about a potential return to Gotham?
CF: I get into the script, I think, this week, and I’m there for so long. I don’t have many scenes, I don’t think, but I will be there for anything. Matt Reeves is so brilliant. I don’t know what the story is yet. I just know that Matt has obviously been slapping for a few years now to really do something special. And he has a very high bar for himself. He is so careful; He cares so deeply about what he does.
CM: I would really love to visit her. I want to play her again.
This story first ran down to The Wire: Drama Issue of thewrap’s Awards Magazine. Read more from Down to the Wire: Drama question here.
