“Emilia Pérez,” “Wicked” and “The Wild Robot” were the best movie winners at the 75th Ace Eddie Awards, which took place on Friday night in UCLA’s Royce Hall, almost two weeks after Oscars and almost two months after Eddies’ original date January 18. The ceremony held by American Cinema, where was it by the US cinemas was Posted In January due to fire fires raging through the LA metro area earlier this year.
Wines by Juliette Welfling for “Emilia Pérez” and Myron Kerstein for “Wicked” was in contrast to the result at 97th Academy Awards March 2, when Sean Baker won movie editing for “Anora.” Last year“Oppenheimer” and “The Holdovers” won at Eddies, and “Oppenheimer” continued to win Oscar. During the six plus decades that the American film editors have published prizes, one of its winners of film film has since won Oscar for best film editing about two -thirds of the time. During the 25 years since Ace shared its top film award in separate drama and comedy or musical categories, its drama winner has taken Oscar 14 times and its comedy/musical winners have done so twice.
Mary Blee won the animated feature Eddie with “The Wild Robot”, while Michelle McMillan won on the TV page for “X-Men “97.” In the Nonfiction categories, Monique Zavistovski took home top film awards for “Will & Harper”, while Evan Wise, Charles Divak, Adrienne Gits and Doug Abel won on TV for “Chimp Crazy.”
The other TV winners were Maria Gonzales and Aika Miyake for “Shōgun,”
Peter H. Oliver and Benjamin Gerstein for “Baby Reindeer,” Russell Griffin for “Frasier,” Liza Cardinale and Dane McMaster for “What we do in the shadows,” Doc Crotzer for “Roadhouse” and for “Welcome to wrexham,” Tim Wilsbach Oliver, Tim Roche, Matt Wafaie, Jenny Krochmal and Mohamed El Manasterly.
Special prices went to “Wicked” Director Jon M. Chu (filmmaker of the year) and film editors Maysie Hoy and Paul Hirsch (career performance).
The complete list of winners is below.
Best edited feature film (drama, theater)
“Emilia Pérez,” Juliette Welfling
Best edited feature film (comedy, theater)
“Evil,” Myron Kerstein, Ace
Best edited animated feature film
“The wild robot,” Mary Blee
Best edited documentary function
“Will & Harper,” Monique stubborn, Ace
Best edited document series
“Chimp Crazy” (102 – Gone Ape)
Evan Wise, Ace
Charles Divak, Ace
Adrienne Gits, Ess
Doug Abel, Ace
Best edited multi-camera comedy series
“Frasier” (207 – my brilliant sister)
Russell Griffin, Ace
Best edited comedy series with a single camera
“What we do in the shadows” (603 – Sleep hypnosis)
Cardinal Liza, needles
Dane McMaster, Ace
Best edited drama series
“Shōgun” (110 – a dream of a dream)
Maria Gonzales, Ess
Aika Miyake
Best edited feature film (non theater)
“Road house“
Doc Crotzer, Ace
Best Edited Limited Series
“Baby Reindeer” (104 – Section 4)
Peter H. Oliver
Benjamin Gerstein
Best edited non-scriptful series
“Welcome to Wrexham” (305 – temporarily)
Tim Wilsbach, Ace
Steve Welch, Ace
Michael Brown
Michael Oliver
Make rules
Matt Wafaie
Jenny Krochmal
Mohamed Manasterly
Best edited kind of call/skis show or special
“Last week tonight with John Oliver” (1103 – Boeing)
Anthony Masaly, Ace
Best edited animated series
“X-Men ’97” (105-Remember that)
Michelle McMillan
