“Dune: Part two,” “Saturday Night”, “Wicked” which was presented on Sunday afternoon in Los Angeles.
“Dune: Part Two” won in the feature effects/Foley category, the Golden Reel category, which corresponds to the closest Academy Award for best sound. “Saturday Night” won in the category Functional Dialog/ADR, “Wicked” for music editing, “The Wild Robot” for animated function, “The Blue Angels” for documentary function and “Emilia Pérez” for international function.
“Dune”, “Wicked”, “The Wild Robot” and “Emilia Pérez” are all nominated for the best sound Oscar, which covers both sound editing and sound mixture. The last Oscar nominees are “a completely unknown”, nominated in the Golden Reel Dialogue and Music categories but lost to “Saturday Night” and “Wicked” respectively.
On Saturday night, the “A Complete unknown” Top Feature-movie Award from the Cinema Audio Society, the other professional organization, won a prizes for sound.
The Golden Reel -TV winners included “Shōgun”, “Ripley”, “The Penguin” and “Only Murders in the Building.” “Call of Duty: Black Ops 6” won two awards in the game categories, which made it the only production of any kind that won more than one award.
The show took place on Sunday afternoon at Wilshire Ebell Theater in Los Angeles, and started a day where four awards took place: Golden Reel Awards, followed by the Sag Awards, American Society of Cinematographers Awards and Guild of Music Supervisor’s awards.
Patton Oswalt hosted the ceremony, which also included honorary awards to Kevin Costner (Filmmaker Award) and Sound Editor Greg Hedgepath (Career Achievement Award).
Here are the winning projects. The full list of winning audio editors, designers and Foley artists can be found on MPSE site.
Outstanding performance in audio editing – Function dialogue / ADR: “Saturday Night” (Columbia Pictures)
Outstanding performance in audio editing – Functional effects / Foley: “Dune: Part two” (Warner Bros. Pictures and legendary pictures)
Outstanding performance in audio editing – functional animation: “The Wild Robot” (Universal Pictures)
Outstanding performance in audio editing – Feature Documentary: “The Blue Angels” (Amazon Prime)
Outstanding performance within Audio Edit – Feature International: “Emilia Pérez” (Netflix)
Outstanding performance in audio editing-Cick-theatrical function: “Rebel Moon – Part Two: The Scariver” (Netflix
Outstanding performance within audio editing-Cick-theatrical animation: “Arcane”: “The dirt under your nails” (Netflix)
Outstanding performance within audio editing-Cick-theatrical documentary: “Apollo 13: Survival” (Netflix)
Outstanding performance in audio editing – Sending long -shaped dialogue / ADR: “Shōgun”: “Ladies of the Willow World” (FX)
Outstanding performance in audio editing – send long form effects / Foley: “Ripley”: “III SUMMERSO” (Netflix)
Outstanding performance within Audio Edit – Send Card Form: “EarthSounds”: “Australian forests” (Apple TV+)
Outstanding performance in audio editing – sending animation: “Secret level”: “Warhammer 40,000: they should not feel any fear” (Amazon Prime)
Outstanding performance in music editing – Function Film: “Wicked” (Universal Pictures)
Outstanding performance in music editing – documentary: “Music by John Williams” (Disney+)
Outstanding performance in music editing – broadcasts long form: “The Penguin”: “Cent’anni” (HBO MAX)
Outstanding performance in music editing – Send card form: “Only murder in the building”: “My best friend’s wedding” (Hulu)
Outstanding performance in music editing – game music: “Star Wars Outlaws”
Outstanding performance in audio editing – gaming dialog / adr: “” Call of Duty: Black Ops 6 “(Sladgehammer Games)
Outstanding performance in audio editing – gaming effects / Foley: “Call of Duty: Black Ops 6” (Sladgehammer Games)
Outstanding performance in audio editing – Student film (Verna Fields Award): “Songbirds” (Savannah College of Art and Design)
